Tag Archives: Don Whittington

Blogging about Blogging about Blogging

Woah. You guys…the comments section on yesterday’s post. Just wow.

You guys gave me a lot to think about with this blogging thing, and I’m glad to hear I’m not the only one struggling to find my niche. And after hearing all of your thoughts, concerns, opinions, et cetera, I think I have a little better focus now.

To me, the overarching theme in the sentiments that almost all of you expressed was this: different people like different things.

For instance some of you expressed a desire for a blog to be focussed on one topic, for it to have some overriding theme that connected all of it’s posts together. Others said that as long as a blogger speaks with passion in his own true voice, that is enough to build a following.

And here’s the thing: I don’t think either side is wrong. There is no blog that is going to appeal to everyone. This is something we bloggers know, but then often manage to ignore.

Also, some bloggers are far better at writing topically than others. For instance, I love Jody Hedlund’s blog where she writes in a very informative manner about writing and social media, but I also enjoy Jess Witkins blog where she talks about her life and occasionally discusses the speed bumps she encounters on the way to writing her first book. And my main man Don Whittington somehow manages to combine the two by talking about a particular piece of art each week, and then transitioning into incredibly moving and deeply personal thoughts inspired by the piece.

So I’m here to tell you that no one has the definitive answer as to what to write about on your blog. Chuck Wendig is proof you can get by rather handily writing about writing (though as we saw yesterday, not everyone is going to like his approach). But you can’t be Chuck Wendig and neither can I. That’s not to say you can’t write about writing. Just do it your way.

Which leads me into the first of my two rules for bloggers:

1. Be yourself.

Unless you’re a serial killer. Then maybe try being someone else.

Actually you know what, scratch that. I bet people would throng to read a blog written by a serial killer.

You can fake being someone else for a little while, but in the end you’re going to burn out. Which leads us to rule number two.

2. Stick with it.

And really this is good advice for anything you want to do in life. You want to write a book? Stick with it. Want to build a good marriage? Stick with it. Build a one to one scale model of the entire world in Minecraft? Stick with it.

Because lets be real here: you’re going to make mistakes. You’re going to have posts that bomb. You’re going to have moments of crisis where you wonder if your blog is going in the right direction. All of that is fine.

Screwing up is not the end of the world.

Giving up is.

Huh. That’s has a nice ring to it.

Anyhoo that’s it. Really. On those two principles I believe you can build a successful blog. It’ll take time. All good things do. But if you keep pressing forward eventually you’ll find the right path.

The Soul of the Story [Guest Post by Don Whittington]

[Today I’ve got something super special for you guys. I’m all psyched up about it. I’m doing my little jumping up and down dance that always drives my dog crazy. That’s how excited I am.

Why am I so excited? Because today it is my pleasure to present to you a guest post by one of my favourite bloggers ever. Don Whittington writes The Automat, a breathtaking blog about art and life. If you haven’t heard of The Automat, you’re not alone. In my opinion, Don’s work is criminally under-appreciated. Seriously. Someone should go to jail. If you like art even a tiny little bit you should go and check out his blog. But first, read this.]

Albert asked if I would do a guest spot here, and I admit that I am somewhat reluctant to write about writing. Part of what I believe to be wrong with the current state of fiction is that so many people are writing about writing they never get around to writing a decent story. But equally, I know from having been a beginner myself once upon a time, there are certain questions that never get answered, and if someone would just answer them for you, you could get better.

I am going to answer them for you. Sort of.

Myth number one: Writing must be good to sell well.

Are you kidding me? We have all read best-selling books filled with ham-handed sentence constructions, grammatical errors, misspellings, and glaring errors of fact. It should be apparent to anyone not born this morning that good writing is not the issue. The fact is, your use of language can be perfect and the world will yawn. Your plot construction can be a masterpiece of scene and sequel and everyone will ignore you at once and with spectacular harmony. This happens when you suffer from SPW: Shitty, Pretty Writing. You are reading SPW when everything seems extraordinarily well written, but you are still bored out of your mind. Most people, once aware of it, can get beyond this stage and conquer SPW, but sadly, some never do.

Language is important; language is integral to how your story functions even as your car’s parts contribute to its handling on the road. But people don’t buy fuel injectors, they buy Porsches. Here are things no editor cares about: “I wrote 3,000 words today!” “I have fifteen Chapters!” “I wrote a great log line!” “I framed my outline and hung it on the wall!” Here is what they do care about: “My protagonist is in so much trouble.” “That choice has destroyed her marriage.” “I killed my child!” “Timmy fell down the well.”

Story, story, story, story, story…(repeat 3,000 times and say, “I wrote 3,000 words today!”)

You’ve written 110,000 words but do you have a story? A real story and not some mood flecked throwaway crap destined for the mountain of forgotten New Yorker pseudo-intellectual-paeans-to-solipsistic-omphaloskepsis. Here’s how you tell.

Drum roll:

A real story can only occur when characters, about whom the reader has come to care, experience change or growth.

High hat!

I made that up years ago and it borrows heavily from everything everybody else made up before me, which is to say, I may well have stolen it. Hope so. It works.

Other things matter in that they help satisfy these conditions. Drama occurs when good people make bad choices. Pinocchio is like a little lesson in how to tell a story. He makes the wrong choice again and again and again. But a bad choice is not enough by itself. Something has to be at stake. Pinocchio can only redeem himself if he saves his father who is about to die because of Pinocchio’s poor choice.

Other details should be seen to. Does your protagonist have obstacles appropriate for his challenge?

John wanted pickles with his sandwich, but he knew that if he opened the jar, the dragon would devour his neighbor, Mrs. Jennison. “You can live without a pickle, John,” said his practical yet secretly tormented and surprisingly stunning wife Jane. “Never. I need only fashion a spiny armor from these bits of artichoke…”

In writing classes people practice exercises in which they ask the “What if?” question to arrive at story ideas. This is a great exercise, but remember to follow it up with the “So what?” question.

“What if everyone in the world suddenly had good breath?”

Remember that a story does not have to be complicated to enthrall. It simply has to be honest and effective. You get your readers to care about your character by caring yourself, as the writer. But readers have expectations. If your character suddenly steps out of character because that’s how you outlined the story, your reader will drop you in a heartbeat. People are subject to cause and effect, just as things are. During the telling of your story, you have probably rendered your outline obsolete. When characters begin to live, they sometimes do things you didn’t expect or want. Tough. That’s the briar patch we all want to be thrown into. Send your outline to sit in the corner with the people who count “was’s” and “POV” slips. Meanwhile, you follow your now grown-up, three-dimensional character who is changing the world, baby.

Don’t get too worried about how complicated your story is. That is a plot question, and those bits of business are plot points. Plot serves story, but it is not story by itself. People are stories. Plots don’t buy books, people do. (Though people also sometimes buy plots for when they’re done being people, but that’s another story.) Anyway, complications are not that important. At the end of the day, the vast majority of stories can be ground down to three types:

Kicking someone’s ass.

Winning someone’s heart.

Living with the consequences of having failed to kick someone’s ass and/or win their heart.

Simplistic? You bet, and thank God, because deep down we writers often are just not very smart.

Myth number 2.

Myth number 2 is that when you start out numbering things there have to be others.

[My thanks to Don for so graciously writing this post. And if you’re too lazy to scroll up to the top of the page to click the link to his blog, here it is again. Go. Read. You will be amazed.]